Wednesday, December 15, 2010
Winter Break!
It's that time again... the much anticipated winter break is here!
The Herklotz Music Library (and our blog) will be closed for winter break, but we'll be back in the spring. We will be open regular hours until Friday, 12/17.
Until then, read a review of the record above here and come check it out at the Music Library! Call # M2085 M3 BT 13
Friday, December 10, 2010
Headphones!
Holiday Party at the Music Library!
And just like that, the semester is almost over. A crazy realization for some of my friends who are only here for a semester and now need to pack up their bags again and leave... it makes me very happy to know I will be staying for another semester but that doesn't mean I am not immensely looking forward to a bit of Hoidays! American finals are stressful, that's for sure, and the library seems to be jam-packed with people racing against the clock to get their work done on time.
Wednesday, December 8, 2010
VYMA Winter Concert
Tuesday, December 7, 2010
LA Chamber Orchestra Concert This Weekend!
Tango and jazz music by the Los Angeles Chamber Orchestra!
For details about the performance go to the Spotlight on LACO performance page
Take a friend as a holiday gift!
Monday, December 6, 2010
Wednesday, December 1, 2010
My Beautiful Dark Twisted Fantasy
Kanye West's newest album "My Beautiful Dark Twisted Fantasy" is kind of mind-blowingly awesome. Released on Nov. 22 (the anniversary of the Kennedy assassination), the album shot straight to number one and sold 496,000 upon its debut. I was lucky enough to receive a pair of subwoofer "skullcrusher" headphones for my birthday and the first thing I did was sit down to listen to the culmination of Kanye's career. And I have to say, it is incredible. I don't normally listen to entire rap albums in a single sitting just for funsies, but I found that I really could not tear my focus away. Track favorites: "Lost in the World" which samples Bon Iver's "Woods" (a song I fall asleep to...it's not quite as soothing in this light); opening track "Dark Fantasy" which begins with Nicki Minaj reciting Roald Dahl's reworking of Cinderella in a weird faux-British accent; and "All of the Lights" which features 11 different artists but the only distinguishable voice is Rihanna's, who sings the hook. Matthew Cole of Slant Magazine can say it a lot better than I can.
Winter Playlist
Quequ'un M'a Dit by Carla Bruni- With softly strummed guitar and Bruni's sultry whispered vocals this song is for days meant to be spent inside doing absolutely nothing.
Winter Winds by Mumford & Sons- Your first thought might be that this song only made the list because it has the word winter in the title, and ok you would be a little bit right but title aside Mumford & Sons, though fantastic anytime of year, are particularly worth listening to on cold December days. The chorus of 'Winter Winds' is reminiscent of a friends singing and swaying along to favorite pub songs- a jolly scene that anyone would want to be a part of.
All My Friends by LCD Soundsystem- The driving, electronic, and extremely danceable beat of this song deserves a solid spot on any holiday party play list- not to mention its potential for general rocking out.
Winter '05 by Ra Ra Riot- I don't know how much this song sounds like 2005, but Ra Ra Riot got the winter part spot on. A soft tribal drumming and haunting melody in the strings- close your eyes and you can almost see snow covered scenery passing by through the frosted windows of a train. On your way home this holiday, listen to this song and think of the lovely people in your life.
One Night One Kiss by The Russian Futurists- This song begins with a piano groove that seems like the intro to a jazzy take on a traditional Christmas song, but then the lead vocal duet drops and, as it falls into a poppy chorus, it becomes clear this song is as fresh as it is adorable. Totally heart warming, you can't help but feel happy listening to this catchy boy-meets-girl duet.
One Love by Bob Marley- When you are totally over winter, but still stuck in the middle of it I recommend a healthy dose of reggae. Jam out to Bob and think of the warmer times that are not so far way, really.
Three Upcoming Concerts!
Friday, December 3, 2010
Music On A Friday Afternoon
Bird Studio 4:30 p.m.
Featuring
Vocalists: Adriel Henrikson, Michael Kuten, Noah Tovares, Alison Pentland, Daniel Strychacz
Instrumentalists: Sarah Doyel, Nina Paus-Weiler, Ben Toney, Emma La Fleur, Emma Crow Willard, Shelby King, Beverly Miras, Joanna Kang and Christopher Neff
FREE!
Saturday, December 4, 2010
Student Composers in Concert
Under the direction of Andre Myers
Bird Studio 7:30pm
Free
Featuring Music by Andrew Chang, Jeffrey Leblow, Daniel Strychacz and The Music Libraries' Own AISLING BROUWER
Sunday, December 5, 2010
Holiday Concert
Occidental Glee Club and College Chorus
Directed by Desiree LaVertu
Herrick Chapel 3:30pm
Featuring Music by Handel, Vivaldi, and Grieg as well as traditional Chanukah and Christmas favorites
$10 General Admission Free with Oxy ID
Tuesday, November 30, 2010
Acoustic Night at the Oxy Green Bean
Monday, November 29, 2010
emerging subgenre: 'postdubstep'
In 2005 and 2006, a new sound from south london grew out of the fertile mixture of electronic music genres including 2step, funky, garage, acid house, minimal techno, grime, and jungle. it was called dubstep, a term which included a wide range of musical activity, but generally characterized by an emphasis on synthesized sub bass, instrumental beats, noise like sounds, and a rhythmic profile which grew from traditional hiphop beatmaking. Dubstep was london's main dance music export until 2010. Now however, a new crop of artists are taking the tradition into new terrain. The term 'post dubstep' is beginning to surface around the works of composers like Mount Kimbie and James Blake. Also, retroactively, the term suites the music of Burial very well; he can be seen as a founding figure of post dubstep. Listen for manipulations of identifiable instruments, ghostly effected vocals, and a new tonal palate which brings deep emotions to this music. Barely born, postdubstep seems to be a powerful new vein in the constantly evolving conversation of IDM.
here are some highlights
http://www.youtube.com/watch?v=OQ7AF8IG7Eg
http://www.youtube.com/watch?v=UBsJ09RhqZw
Prerequisite Removed for Music 395 in Spring!
Looking to knock off some core requirements? Interested in taking a class in the music department? Do you like food? If you answered yes to any of these questions, then Advanced Topics in the Critical Study of Music: Music and Food is the class for you!
We have removed the music prerequisite for the following seminar, which only
require students who are able to read music, only students who are
intellectually curious and engaged readers. It fulfills both the FA and EU
CORE requirements.
If this course is up your alley (cup of tea, I should say), please do
consider taking it. My hope is that we'll chart new territory.
David Kasunic
*Music 395, Advanced Topics in the Critical Study of Music: Music and Food*
This interdisciplinary course will examine the relationship between music and food, and thus hearing and taste, in Europe and the United States, beginning with the 16th-century category of musical composition called “table music” and culminating in the present-day gastropub. Along the way we will explore topics such as the 18th-century emergence of aesthetics as a branch of philosophy, the rise of the restaurant and gastronomy, Dandyism and Decadent literature, and “fine dining” in the United States. We will read scholarly literature from the fields of philosophy, history, cognitive science, sociology, literature, and music, and classes will include visits from scholars in these fields. This will be a discussion-based research seminar, peppered with a few short writing assignments and class reports. Students will carve out an area of research early on and develop it over the course of the semester, culminating in a research presentation and final argument-driven research paper. The course will conclude with the fastidious recreation of an historical banquet. This courses fulfills both FA and EU
Monday, November 22, 2010
Sufjan Stevens: Age of Adz
Sufjan Stevens is an artist who, over the course of the last decade, has positioned himself at the crossroads of baroque pop, folk, and minimallism. His last effort, Illinois, was a huge and rich record of sentimental songs, meticulously scored for various instrumental ensembles. On the 'Age of Adz' album, Sufjan reaches out to the trending styles of beat music and minimal techno/ electro pop. his songs are still highly produced and often feature live orchestral instruments, but much of his detailed work here happens in the cleanliness of his bouncing synths and R&B piano. He also lets his voice go more than ever here; its impossible to imagine his current trajectory without Joanna Newsom's career. Apparently the two are friends. check the link for the great video to this album's single, 'Too Much'.
http://pitchfork.com/tv/
Friday, November 19, 2010
Harry Potter Soundtrack!
Harry Potter 7 Part 1 came out today, WOOOOOOO!!!!!! I'm a bit of a nut, and along with several of my music library coworkers, I went and saw the movie at the midnight release last night (and then subsequently slept through all my classes this morning. Worth it.) So I thought in honor of this momentous day for our generation, I would blog about the soundtrack.
Now we're all familiar with the hauntingly delicious "Hedwig's Theme" originally composed by John Williams. HP7 director David Yates had wanted to bring John Williams back for the final movie, but apparently their schedules just didn't fit (ummm John Williams I know you are the richest composer in the world and all, but when the greatest franchise in history comes a knockin' you better MAKE time to answer). So they got Andres Desplat instead, still a very well-known and respected soundtrack composer. You might have heard his work before in The Golden Compass, Mr. Magorium's Wonder Emporium, The Girl with the Pearl Earring, or The Case of Mr. Benjamin Button.
Wednesday, November 17, 2010
Larry Karush on Nov. 20
presents
Faculty Artist Recital
Larry Karush, piano
featuring
Chris Colangelo, bass
Randy Gloss, percussion
Brad Dutz, percussion
Danilo Lozano, flute
Saturday, November 20, 2010
Bird Studio
7:30n p.m.
This concert is courtesy of teh Recording Industries' Music Performance Fund
Norma R. Navarro
Music Department
323-259-2785
Tuesday, November 16, 2010
Concert 11/19 ElSuper Music Collective
Cozy - Blud from Nelson A. Melgar on Vimeo.
This coming Friday night, very important concert at the ElSuper Music Collective, titled:The Hot Box. Come at ninePM for the kick it, stay past ten for the jams. Sets from Feed Me, Xei the Ghost, Cozy, Ded Pimpin, and Supa Ape will cascade in immediate succesion. Everyone will have fun exploring different elements of contemporary L.A. music. all are welcome, 906 N. Ave 56 90042 in Highland Park
above is a video by the collective
Monday, November 15, 2010
Profile: Shangaan Electro
Nozinja Music has released a compilation called Shangaan Electro: New Wave Dance Music From South Africa. Shangaan is a new dance music style emerging from the townships of South Africa. Blazingly fast drum machines, soulful repetetive singing, and emotional chord progressions lend this entire comp an pulsing beauty. At first these songs will sound impossibly fast and giggly, but with repeated listens the effect becomes very romantic, evoking the ambient two step of UK producer Burial. This compilation is a wonderful profile in an exciting new music, stick with it and it will stick with you.
Friday, November 12, 2010
FESTIVAL FUN!!
Thursday, November 11, 2010
Chi Tea and Piano
The Freshman is back and with some new found knowledge about LA! The weather in September is colder than that of November on certain occasions and other times it is like that of a freezing December day. The moral of the story? Check before you step outside.
Wednesday, November 10, 2010
Computer Generated Pop Star
This is an LA Times article about a Japanese holographic popstar, Hatsune Miku. Personally, I think this is pretty horrifying. Not only is it bringing into reality the impossible ideal Japanese female (giant round head, tiny mouth, microscopic waist and ridiculously long legs....and honestly, who has BLUE floor-length pigtails?), but it's bringing manufactured music to a whole new level. We've grown accustomed to the auto-tuned voices of Lil-Wayne and Ke$ha, but at least they are real people with real ideas about how they want to express their "art." This is a company with few artistic aspirations, capitalizing on the demands of popular Japanese culture. I'd say this is going to be the start of something awful, where terrifying holographic cartoons take over the world and replace all the real musicians. However, if you watch the video below it will be painfully clear that no computer-generated sound can possibly be an adequate substitute for a real voice. The music is bad, and it's only redeeming quality is the band (real) which occasionally gets to rock out. Still, I can't help but think about that huge audience and the fact that Hatsune Miku has topped Japanese charts. If an entire country thinks she's great, there's no telling how many other people around the world will begin adopting this idea.
See LA Phil at Disney Hall!
Music On A Friday Afternoon
presents
Music On a Friday Afternoon
Friday, November 12, 2010
Bird Studio
4:30pm
Featuring:
Vocalists:
Kainoa King, Santiago Alcantra, Katie Goldberg,
Rebecca Scott, Alexander Kaplan Reyes & Kristine Nowlain
Instrumentalists
Megan Lang, violin, Alyson Melzer, violin,
Amy Ishioka, cello, Mary Flagstad, cello,
Andrew Chang, piano, Joseph Wei, piano
FREE
Tuesday, November 9, 2010
Announcement: Concert at Booth 11/13
Attention all music listeners: this coming Saturday evening, at 8pm, there will be a concert in the courtyard of the Booth music building. The Los Angles chillwave/ gloFi / new Disco outfit called Kisses will be headlining. Expect rhythmic, tropical pop songs which typify the recent interest in 80's synth sounds and catchy pop writing. Very L.A. right now. The show will be opened by the Highland Park act Cozy, aka Doug Rosenberg, aka me. whassup. for Kisses listening, I refer you to their myspace.
http://www.myspace.com/blowkissess
for Cozy material, and a backlog of music from his house @ElSuperMusic, check their soundcloud here: http://soundcloud.com/melvinrichardson2011
Oxy Students in the NY Times!
If you would like to read the complete article, please check out the following link, For Gays, New Songs of Survival.
Kisses + Cozy
Monday, November 8, 2010
Music Courses for Spring 2011
With registration upon us, I thought I'd share some interesting classes the music department is offering next semester. These are not all the classes available (there are all the additional applied music lessons and other classes for serious musicians), but rather a small snippet of what I picked out. Check out the catalog for more details, and course counts to see who's teaching them/times/etc.
104. MUSIC OF AFRICA AND THE MIDDLE EAST
This course surveys the musical styles and genres of the African continent and the Middle Eastern world. Within an ethno-historical framework established at the beginning of the course, emphasis is placed on 1) the region's important musical genres, their social function and musical characteristics, and 2) the instruments used in performing these musical genres. While knowledge of music theory and performance skills are not necessary, it is essential that students be prepared for intensive music listening in and out of class.
CORE REQUIREMENT MET: AFRICA AND THE MIDDLE EAST • FINE ARTS
Sunday, November 7, 2010
Free Caltech-Occidental Symphony Orchestra Concert!
The Caltech-Occidental Symphony Orchestra, directed by Allen Gross, will be performing next Saturday and Sunday, November 13th and 14th. The Saturday performance begins at 7:30 pm in Thorne Hall at Occidental College, and the the Sunday performance will be at 3:30 pm in the Ramo Auditorium at Caltech. The orchestra will be performing:
Thursday, November 4, 2010
"Remember Remember the Fifth of November..."
Tomorrow is November Fifth. Guy Fawkes Day. For those of you who only know this holiday as an epic V for Vendetta reference, here's a little bit about this British day of celebration and remembrance (lovingly copied and pasted from wikipedia):
Guy Fawkes (13 April 1570 – 31 January 1606), also known as Guido Fawkes, the name he adopted while fighting for the Spanish in the Low Countries, belonged to a group of provincial English Catholics who planned the failed Gunpowder Plot of 1605.
Fawkes was born and educated in York. His father died when Fawkes was eight years old, after which his mother married arecusant Catholic. Fawkes later converted to Catholicism and left for the continent, where he fought in the Eighty Years' War on the side of Catholic Spain against Protestant Dutch reformators. He travelled to Spain to seek support for a Catholic rebellion in England but was unsuccessful. He later met Thomas Wintour, with whom he returned to England.
Wintour introduced Fawkes to Robert Catesby, who planned to assassinate King James I and restore a Catholic monarch to the throne. The plotters secured the lease to an undercroft beneath the House of Lords, and Fawkes was placed in charge of the gunpowder they stockpiled there. Prompted by the receipt of an anonymous letter, the authorities searched Westminster Palace during the early hours of 5 November, and found Fawkes guarding the explosives. Over the next few days, he was questioned and tortured, and eventually he broke. Immediately before his execution on 31 January, Fawkes jumped from the scaffold where he was to be hanged and broke his neck, thus avoiding the agony of the drawing and quartering that followed.
Fawkes became synonymous with the Gunpowder Plot, which has been commemorated in England since 5 November 1605. His effigy is burned on a bonfire, often accompanied by a firework
display.
Wednesday, November 3, 2010
Los Angeles Chamber Orchestra
6th!
Can't wait until Saturday? Then get pumped with this video!
At 8pm on Nov 6 in the Ambassador Auditorium (Pasadena) LACO presents
Discover Beethoven.
Follow this link for more information and program notes
http://www.laco.org/
Email (sittig@oxy.edu) or the Box Office (tickets@laco.org) for more
information.
Junko Ueno Garrett
Presents a
Faculty Artist Recital
Bicentennial Celebration
Junko Ueno Garrett
With Friends from the LA Phalharmonic
Robert Vijay Gupta and Johnny Lee, Violin
John Hayhurst, Viola
David Garrett, Cello
Playing
Schumann's Piano Quintet in E-Flat Major, Op. 42,
and Chopin's Ballade #4 in in F minor, op. 52
Monday, November 8th, 2010
Bird Studio
12:30pm
CSP 99
Free
Tuesday, November 2, 2010
Wonderful Free Music Program: Audacity
I thought I'd take tonight's blog post to profile my personal favorite music application: Audacity. You can download the program for free, and legally; Audacity is open source software that's meant to be used by anyone. Compared with other, expensive software like Ableton, ProTools, or Logic, Audacity might seem very basic. Its simplicity, however, is its greatest asset. With only a little bit of fooling around with the program's interface, users can begin crafting high quality music without any instrumental or theoretical music knowledge. it doesn't take long to learn to read the waveforms, just click File>import>import audio and choose a song you like. then begin playing with the suite of effects available and you'll realize the power that Audacity bestows upon its user.
Taste of Oxy Is Looking For Performers!
Taste of Oxy is an annual event sponsored by the ICC to celebrate, and bring awareness to the variety of different cultures that make up the Oxy community through food, music, and live entertainment. Taste of Oxy will be held on Sunday, November 14th from 2pm to 5pm at the Academic Quad.
Professors, Faculty, and Staff do not have to audition, but if you are interested in performing your own poetry/spoken word, music, or anything else that expresses appreciation for your cultural background, please email Fatima A. Avellan at avellan@oxy.edu. Please let her know what you want to perform, how long it will take, and the things you will need for the day of (mics and a stage will be provided).
Thank you in advance for your support!!
Click here to watch Doug Locke's legendary performance from Taste of Oxy 2008. Why is it legendary do you ask? Skip to the last minute and find out...
Monday, November 1, 2010
KOXY RADIO PRESENTS: HIP-HOP SATURDAY NITE feat. Alpha MC and Xei the Ghost
This Saturday (Nov. 6) KOXY Radio is teaming up with local hip hop artists Alpha MC and Xei the Ghost (Aaron Hines) to bring you a night of bass slapping and beat matching.
Roll up and rock out this Saturday for a mellow nite of bumpin' and grindin' -- think along the lines of Madlib, John Coltrane, Hieroglyphics, and Stevie Wonder.
The party starts at 8 in the Cooler.
Dia de lo Muertos!
November 2nd marks the Mexican Dia del los Muertos, or Day of the Dead, traditional holiday in which family members honor their deceased ancestors and celebrate life. So once you're done voting (make sure you vote! it's your constitutional right!), head on over to one of the many many festivals happening all over Los Angeles.
I'm particularly attracted to this one happening at the 24th Street Theater, which looks like it;s going to be a blast. They'll have live music performed by La Santa Cecilia (an orchestra which plays regularly at Oxy), Fandango Sin Fronteras, and Maximo el Tenor. There will also be a great deal of live dance and delicious food. You'll be able to make your own altar to put in their graveyard so you can honor your loved ones as well.
Where: 117 W. 24th St(on the corner of 24th and Hover near USC)
When: Tues, Nov. 2, 6-10pm
$$$: FREE!!!
www.24thstreet.org
theatre@24thstreet.org
213.745.6516
And if you'd like some other options, check out this website for other Dia de los Muertos events! http://laeastside.com/2010/10/dia-de-los-muertos-2010/
Sunday, October 31, 2010
SPOTTED: Leddra Chapman!
Having had a pretty stressful week, I stumbled upon this new artist whilst checking out the new ins and outs of the London music scene. I instantly got hooked on her amazing voice and the more I read about her, the more intriguing I find her music. Leddra Chapman was born 'Anna Leddra-Chapman' in a small place called Brentwood in England. The British singer-songwriter started writing songs at the age of 12, and is currently building her fan base throughout Europe. Only 21 years old, Leddra released her debut album 'Telling Tales' in November 2009, and is currently attending the London College of Music whilst planning her UK national tours for next summer. She is bound to spread fast, so check out her songs whilst she's still rising! www.leddrachapman.com or look her up on myspace: www.myspace.com/leddrachapman
The Little Sparrow
"I want to make people cry even when they don't understand my words."
-Edith Piaf
If you have never heard of Edith Piaf before, think French. Think very French. She is the queen of traditional French music, the kind you imagine when you think of a cafe in Paris in the 1950's. Her voice transcends languages with a power and passion far beyond what one would expect from her small, fragile frame. She is not known for impeccable technique but rather the intense emotion with which she sings. Where does this emotion come from? It comes from a life of tragedy, from death of loved ones to countless romantic affaires gone wrong, but also from a life of no regrets.
"My life as a kid might strike you as awful, but actually it was beautiful."
-Edith Piaf
While Edith managed to find her way into stardom, she was born on December 19, 1915 into a world that didn't care much about her. Her mother, Anita Maillard, was an aspiring singer, alcoholic, and occasional prostitute who at 17 did not care to be a mom. She soon left Edith with her father, a circus acrobat named Louis-Alphonse Gassion. Although Gassion loved his daughter, he beat Edith and essentially left her to take care of herself. At least when he left for WWI he did not abandon her completely: she was sent to live in a brothel in Normandy where her Grandmother worked as a cook. After a year she returned to her father and joined in his street act. Here the world would get its first taste of Edith's voice, a voice that on at least on occasion blocked a road for so many people had stopped to hear it.
"I think you have to pay for love with bitter tears."
-Edith Piaf
Eventually Edith left her father, though she would remain in touch with him the rest of his life. She continued to sing in the streets, making barely enough to get by. But although her street performances did not bring great financial rewards, they did bring romance into Edith's life. A young man named Louis Dupont fell in love with Edith as he watched her perform, and Edith was equally drawn to him. The two decided to live together and soon, in 1933, Edith would give birth to their daughter Marcelle. The family moved constantly; neither Neither Edith nor Louis had any real work so money was always scarce. It was not long before Edith grew tired of this existence. One night, creating a rope of bed sheets to escape out her window, she left Louis taking Marcelle with her. Marcelle would often be left in the care of Edith's pals as she made her nightly performances on the streets. Her adventures were numerous, and generally involved an escape from the police. One night in 1935 Edith was summoned to the children's hospital where Marcelle had been admitted with meningitis. Nine days later, Edith's only daughter was dead.
The next pivotal moment in Edith's life came in October of 1935. She was discovered on the streets by Louis Leplée, a successful club owner. Leplée took Edith under his wing, increasing her repertoire and improving her technique. It was Leplée who gave Edith her stage name Piaf, which is slang for 'sparrow'. The name came from the song Edith was singing when he discovered her 'La Mome Monieau' (monieau also means sparrow but the name was already taken). Edith was an instant hit: her plain, unglamorous street singer persona was incredibly appealing. Her success continued until she lost both her manager and her good name when Leplée was murdered. Although Edith had an alibi, suspicion of her involvement traveled quickly and put a halt in her swiftly moving career.
Edith's time at Leplée's club was marked by her tumultuous relationship with her souteneur Albert. A souteneur is essentially a pimp: Albert found Edith an audience, but took his commission from what she earned. Edith clung to Albert even though he treated her incredibly poorly. He hit her and threatened to force her into prostitution if she did not give him his commission. She might have stayed longer with Albert if it was not for her friend Nadia. Nadia was in similar situation as Edith; desperately in love with an equally shady friend of Albert named André. André forced Nadia to become a prostitute, but she was unable to pick up clients so, with the encouragement of Edith, ran away while she had the chance. A few days later, Nadia's body was discovered floating in the river Seine. The shock of this incident made Edith realize she could not stay with Albert. But escaping was not so easy. She was kidnapped by one of Albert's thugs and locked in a room. Albert told her he would shoot her if she did not come back to him. She refused and Albert shot. He hit her neck but the wound was not fatal. Luckily a man had jogged Albert's arm as he shot, sparing Edith a grim end.
Edith soon managed to make a comeback in Paris after the Leplée incident. During WWII her fame grew and after the war ended she began to tour the world. The penniless young woman singing in the streets had become an international star. Although the world knows Edith Piaf, Edit Gassion would always exist in her recklessness, her unwillingness to settle down, and her desperate need for love. There would be more tragedy and endlessly more men (often multiple at once), but her life as Edith Gassion had taught her to take both the good and the bad. The world fell in love with Edith's incredible voice because it was a reflection of the life of an incredible woman.
Friday, October 29, 2010
Some cool stuff happening today!
Looking for something awesome to kick off you Halloween weekend? Check out these sweet events happening here on campus!
There is a special Halloween-themed MOFA (Music on a Friday Afternoon) today in the Bird Recital Room at 4:3o. MOFA includes both students and staff and is sure to be frighteningly delightful! Students will perform both instrumental and vocal pieces.
Once you've gotten your ghoul on, head over to the Green Bean at 5:30 for the first joint Accidentals-Cadence performance of the year. In case you were aware, the Accidentals our an all-female acappella group, Cadence is all-male. They will have free pastries and coffee so it's a win-win!
Have a good Halloween weekend!
Thursday, October 28, 2010
Hip Hop Music
Hey All!
Wednesday, October 27, 2010
Halloween Special
Glee Club Homecoming Concert
Desiree LaVertu, Director
presents its annual
Homecoming Concert
Fantastic choral works by Palestrina, Brahms, Frieg
and Stroope as well as contemporary favorites
Come Join the Glee Club and for the fabulous "Football Medley" "Occidental Fair"and the return of "Io Triumphe"
Friday, November 5th, 2010
8:15 pm
Thorne Hall
$10 General Admission
Student with Oxy I.D. Free
For More Information call: (323) 259-2785
Or email: lavertu@oxy.edu
Tuesday, October 26, 2010
Concert 10/29 @ElSuperMusic collective
alert to all readers/listeners out in the blogosphere/ interwebs... Highland Park artistic collective El Super (follow on twitter @ElSuperMusic) will be performing a concert at 906 n. Ave 56. Resident artists Xei the Ghost, Supa Ape, Ded Pimpin, and Cozy will be playing an extrachunky combined roundrobin style set, running the gamut from ambient techno, free hiphop, spiritual electronica and noise pop. Surely it will be the best thing you can decide to do at 9pm this coming friday night. refer to the collective's music page for listening pleasures.
http://soundcloud.com/melvinrichardson2011
Monday, October 25, 2010
New Talent: James Blake
With his newest E.P. 'Klavierwerke', Londoner James Blake cemented his young reputation as one of the most muscular and exciting in a new generation of IDM producers. Klavierwerke is a very restrained, almost classically austere group of four songs. The bulk of the material Blake is sampling is his own piano playing and singing; he's blending the line between a sampler like Burial and a singer songwriter. And the effect is tremendous, with earlier E.P.'s Blake proved he can make you dance, now he can make you cry. Klavierwerke is a perfect candidate for the term 'spiritual electronica'. Check out his video for a Feist cover 'Limit to your Love' and expect great things from this boy...He's clearly making moves.
Mumford and Sons 10/18/10 at the Palladium
Friday, October 22, 2010
Oxy Alum has Profound Thoughts on the Nature of Music in California
This is a really interesting article I just found on the LA Weekly Music page, written by Romona Gonzalez. Gonzalez is an Oxy alum, and is better known as the performer Nite Jewel. Acclaimed for her hazy expressionism and creative artistry exhibited in her music, Nite Jewel has been gaining popularity throughout the country, and was even reviewed by Pitchfork.com. She also just released her new LP, Am I Real? Check out this rad article she wrote:
Going Coastal
by Ramona Gonzalez
History repeats itself, sort of. In the summer of 1961, the Beach Boys released their first single, "Surfin'," on Candix Records. The deal was brokered in part through a convincing pitch by the young Dennis Wilson that the band would get in on the surfing craze booming in California at the time.
In fact, many bands mined that aesthetic: the Bel-Airs, the Surfaris, the Pyramids, the Marketts, the Honeys, the Challengers and others. It was the Beach Boys, however, who popularized the trend into something national and then global.
All the while, leader Brian Wilson had never touched a surfboard save for promotional use.
It makes sense that Los Angeles would be a place to market an aesthetic of optimism: beaches, good weather, pretty girls, fast cars. And now, once again, the stereotypes of Southland culture have become a global trend. Nowadays not only on the Pacific Coast, but to some degree on the Atlantic as well, we see another rise of a beach craze — not as a real pastime or object, but in the form of "just being coastal."
With the lack of regionalism in the U.S. due to the capacity of the Internet to turn the nation into one big blob — to give kids the idea that their locality is closer to a Facebook wall than any particular town — this concept of "being from someplace" seems particularly novel to the new generation.
Thursday, October 21, 2010
Happy Birthday Dizzy Gillespie
Google has used their latest Doodle to commemorate the birth of jazz icon Dizzy Gillespie. 93 years ago, a man by the name of John Birks “Dizzy” Gillespie was born. The youngest of nine children, Dizzy was born to James and Lottie Gillespie in South Carolina. His dad, James, was the leader of a band, which gave Dizzy access to all types of musical instruments. By age 12, Dizzy was able to play both the trombone and the trumpet.
Dizzy is considered a pioneer in bebop and jazz music. He’s credited with influencing such greats as Miles Davis and Fats Navarro. Besides being a musical legend, Dizzy is known by two characteristics: his cheeks and his horn. Google has captured both of these in their Doodle, making his cheeks bright yellow and circular and giving his horn an upward bend. FromWikipedia:
According to Gillespie’s autobiography, this was originally the result of accidental damage caused by someone sitting on it during a job on January 6, 1953, but the constriction caused by the bending altered the tone of the instrument, and Gillespie liked the effect. Gillespie’s biographer Alyn Shipton writes that Gillespie likely got the idea when he saw a similar instrument in 1937 in Manchester, England while on tour with the Teddy Hill Orchestra. An English trumpeter was using such an instrument because his vision was poor and the horn made reading music easier. According to this account (from British journalist Pat Brand) Gillespie was able to try out the horn and the experience led him, much later, to commission a similar horn for himself.
Happy Birthday Dizzy!!!