You can access the National Jukebox from the Music Libguide, under the sound recording tab.
The collection includes a range of genres, including popular, religious, spoken, word, and more. Now, go explore!
OCCIDENTAL-CALTECH SYMPHONY
Spring Concert
ONE PERFORMANCE ONLY!
Allen Robert Gross, Conductor
Saturday, April 16, 2011
7:30 p.m.
Thorne Hall at Occidental College
Featuring
Rimsky-Korsakoff: Procession of the Nobles from Mlada
Schubert: Symphony No. 6 in C Major
William Grant Still: Symphony No. 1 (“Afro-American”)
FREE ADMISSION
Information: Occidental Music Department office at 323/259-2785
“FAV (Band) of the Year (2010) – Beatcrave.com
“Pink Floyd with a touch of Roxy Music…..with The Killer’s blend of rock and wit.”
– Pop Making Sense
LA’s own Friend Slash Lover with their open-tuned chord progressions and tongue-in-cheek social commentary will make their debut at The Bootleg Theater on April 21st. The Bootleg Theater is located at 2220 Beverly Blvd. The band takes the stage at 11:00 PM. Tickets are $8.
Friend Slash Lover is the brainchild of Josh Mintz; an accomplished creative director and guerilla artist. He has been exploring the marriage between pop art and music since attending Rhode Island School of Design some years ago. Mintz eventually decided to take his music out of his bedroom and into a recording studio.
The result is an impressive catalogue of material that draws inspiration in equal parts from Sigur Ros, Radiohead and post-modern sensibility. Their debut EP; As American as Ones and Zeros, releases this Spring along with remixes of the entire EP by John Goff aka “Megahertz.”
Restlessly creative, daringly inventive and addictively listenable, Friend Slash Lover is a band that will continue to exceed our expectations.
For more information on Friend Slash Lover, MP3s and/or guest list requests, contact:
Versa Manos/Margo Drgos
One of the most annoying things about the current state of the Internet is its lack of elegance. When Mark Zuckerberg wiped the floor with the cluttery, vile thing MySpace had become, his mantra was "make a product that is useful and doesn't suck" (Facebook has struggled, with different degrees of success to retain that mantra through all the changes and the growth).
That's why we get particularly happy when someone comes up with a simple concept that works. It's not that common.
Some enterprising soul San Francisco's Eric Eberhardt has created a genius ambient music project online that consists of only three variables: a photo of a city, a randomized selection of very good, chill ambient music, and the feed from the police radio scanner for that city. They call it "You Are Listening To..."
"You Are Listening to New York" is typically gritty, "You Are Listening to Montreal" is fascinatingly French, but our favorite (of course) is "You Are Listening to Los Angeles":
Click here. Play it as background music. We dare you to turn it off.
Please support aidJapan @ Oxy, a campus-wide effort of faculty, staff and students who are committed to relief efforts for Japan.
Wednesday, March 23
Cranes on the Quad
12:30 - 1:30pm
JSC Quad
Come help us build a thousand cranes! Learn how to make these small pieces of origami art. Funds raised will be used towards relief efforts.
Japan Earthquake and Tsunami Teach-In
5:30pm - 7pm
Johnson 200
An opportunity to hear faculty, student and community member expertise about historical, geographic and cultural issues surrounding the disaster in Japan.
Candelight Vigil
7 pm
Steps between Johnson Hall and Fowler Hall
A campus wide moment to remember the victims of the earthquake and tsunami as well as express support for the people of Japan.
Coming up
Benefit Concert
April 16
2 pm - 4 pm
Bird Studio
Featuring:
Junko Ueno Garrett, piano
Yuri Inoo, percussion
Naoko Takada, marimba
Robin Sharp, hand percussion
Allison Allport, harp
Allison Bjorkedal, harp
Joel Pargman, violin
Carrie Kennedy, violin
Oxy Drumline (at reception)
For more information, please contact civicengagement@oxy.edu.
(Photo credit to http://www.oklubi.com/2011/03/japan-earthquake-video-2011.html)
Hey kids! Guess what? Apparently awful is the new great. In an age when the music business is suffering dearly--when even vocal dynamos like Christina Aguilera can't sell albums or concert tickets anymore, and thousands of unsigned, undiscovered artists have to sell records out of their car trunks--a mind-meltingly horrific song called "Friday," by a previously unknown, marginally talented teen-pop singer named Rebecca Black, managed to rack up more than 2.2 million views on YouTube (yes, that's right, TWO-MILLION, TWO-HUNDRED-THOUSAND) just over this past weekend.
It must be seen, and heard, to be believed:
The video got its first big promotion, perhaps not coincidentally, last Friday, when Comedy Central's Tosh.0 blog posted it under the headline "Songwriting Isn't For Everyone." And that was all it took. By the weekend's end, "Friday" had been Tumblr'd, Facebooked, blogged, and tweeted by countless baffled viewers--and dozens of covers and parodies had popped up on YouTube as well, including an amusingly Dylanesque one.
The virality of "Friday," a wannabe weekend-party anthem for the new generation, had nothing to with the song being any good, Rebecca being particularly attractive or gifted, or even with the fact that it was, well, the weekend. It's simply because it was so unbelievably BAD. ("A whole new level of bad," according to none other than Time magazine.) And it's because the song and video raised so many fascinating questions...such as:
Who the heck is this girl? How did she get a record deal? Why is she sitting at a bus stop, if her friends are picking her up in their car? Why is she so indecisive about whether to sit in the front or back seat? If the girl standing to her right is her friend, then is that girl on her left her frenemy? Did the general public REALLY need to be informed that Thursday comes before Friday, or that Sunday comes after Saturday? And, most importantly: Is this a real thing? Or is this an SNL Digital Short for which the Lonely Island are responsible?
Honestly, we're not sure if these questions will ever be properly answered. But we do know that "Friday" is the churned-out product of a Los Angeles-based company called the Ark Music Factory, which sends out casting calls looking for singers between the ages of 13 and 17 to record its songs and, if all goes well, become overnight YouTube stars (a la Justin Bieber). Rebecca Black's "Friday" is Ark's first major hit--and after this, we sincerely hope it's the company's last.